Monday, April 22, 2013

Auf Wiedersehen, my Heart.

Following Wednesday's exhibition, Thursday's de-mounting and pizza lunch and Friday's packing, we were all unceremoniously ejected from our home on Saturday morning. The majority departed at 5:15 am, and of course I roused myself for the painful farewells. It was not a pleasant experience. But I did have the chance to say goodbye to to Brian as he carried all my friends away from me.
Later in the morning (after enjoying about 10 minutes of sleep) the five of us remaining finished clearing up and assembling our luggage. Adam left first, jetting off to Paris. Audrey was meeting her mother. Emily's dad showed up and took her away. Then Robert collected Maren, myself and all our luggage and deposited us at John and Chloe's apartment before he, too, left us. Maren was to stay on with John and Chloe for a few days, spend time in Spain, and then return for a few more weeks in Ballyvaughan. I was only there overnight.
Maren and I took a long hike, saw some sheep, ate some banana bread, drank from a little stream. Atop the Burren hills it was windy and unsheltered, but only half of my tears were caused by the weather.
Later on we walked almost two miles into town and curled up in the best corner of O'Lochlainn's by the fire. Emily and her dad found us around 10 and we had a pleasant chat over pints and hot whisky.
The walk back was quiet and moonlit, and Maren and I just went to sleep as soon as we reached the apartment. I slept poorly but have no call to complain as I would have slept outside if not for my friends allowing me to stay.

Rocks.

Lambs.


My last photograph of the Burren.

My camera was completely out of batteries at this point, so I was unable to take any photographs of my last hours in Ballyvaughan. I dragged my 33 kilo suitcase the two miles into town. Halfway there we saw Lydia and Alyssa and were able to say goodbye. Maren saw me off in town and hurried back to meet Alyssa for a hike. I waited for an hour for the bus, watching the bustle of tourists coming and going. Ballyvaughan takes on a different personality entirely when flooded with non-locals. 
I sat with the cat and got a sunburn on my face.
The bus to Galway was emotional. I had to drag my suitcase through Galway again to reach my hostel, which was very pleasant and small. Wandered a bit. Inexplicably bumped into Chloe and her family. Knocked back Green Spot at Freeney's. Got a cheap dinner at Tesco. Listened to some music at the Spanish Arch. Had my last pint.

In the morning I got up at 6 am and dragged the beast down to the bus station, loaded myself on, sat next to a woman who thought my body was her elbow rest, unloaded at Shannon, and got the nasty business of check-in completed (my suitcase was overweight so into the rubbish with the old slippers and ginger nuts). U.S. pre-clearance was quick and easy, and means I can enjoy a stress-free landing in Boston without the hassle of customs. I stuffed as many Yorkies into my bag as possible. 

And now here I sit, outside gate 109 waiting for this metal bird to take me away from my home.

I Encourage You to Do More of These... BCA 2013 Undergraduate Show

This blog has completely fallen away, and again I apologize. Now, with 26 hours remaining in this country, I am going to do my best to remedy that. The last month of work at BCA has been exhausting, rewarding, surprising, utterly fulfilling. I would not trade the friends I have made here for anything.

My studio.

Another angle.

Following three weeks of late nights, stress and moderately increased blood alcohol levels, our show, "I Encourage You to do More of These," was finished. Everything hung, documented and invigilated. The opening reception was on a Wednesday afternoon to coincide with the MFA graduation. Much pomp and nibbles, a champagne-sodden crowd, live harp and guitar accompaniment, two performances, and a long discussion about my work later and we were exhausted and ready for our party/disco at Logue's.
See exhibition images below:

Noli Me Tangere.

Noli Me Tangere alternate angle.

Noli Me Tangere detail.

Träume & Traumata CDs.

Autolustmord.

Autolustmord detail.

Eventuality.

Eventuality detail.

Eventuality detail.

In the Red Corner.

Our final meal and DJ evening went off without a hitch. I had to stay to the end so as not to miss Don't Stop Believin'. Almost everyone else had left, and it was a miserably wet walk back in the dark, but worth it of course.

Monday, March 11, 2013

Thirty-six Hours in Sandy Row

Friday afternoon was a gorgeous, sunny time in Ballyvaughan. I walked home early to shower and prepare for the five plus hour journey to Belfast. It was bittersweet departing the Burren, as the sunshine did not follow us northward. I collected and handed out daisies to everyone on the bus.
We stopped once at a petrol station to load up on crisps and other necessities, then pressed on past Dublin to a rest stop where we indulged in Costa sandwiches and coffees. Another hour and change and we were officially in the North. All the signage changed. Speed limits were in miles per hour. The roads improved (a byproduct of N. Ireland experiencing the industrial revolution in a way the Republic did not). A heavy mist blew in and 80s night on the radio turned to static as we left the broadcast zone.
Before long things turned urban, and suddenly there was our hostel. Brian took us on a quick loop past city hall to get our bearings, and then it was back to check in. All of the girls were in one large dormitory. There was more than adequate space, and even a table with well-placed outlets nearby. The heating did not work, period. There was a draft coming in through both of the windows, which looked out on Donegall Road. The bathroom had three toilet stalls and three showers and three sinks and no soap. It was also very cold in there. Before we set off on our own for the duration of the stay, Brian informed us that our hostel was located in a loyalist area called Sandy Row. Once we were settled into our room (about 10 pm), I had a looked outside to confirm this and noted that indeed every streetlight, window, and prominence was practically wreathed in union colors. 
The evening was already waning, so we departed the hostel in several groups, in search of pubs or chinese takeaway or just whatever. We ended up wandering until we found a Barclay's ATM and gleefully I made a fee-free withdrawal. Northern Irish sterling is printed differently than GBP, and is apparently no good for use elsewhere. Luckily the only remaining bits of change I have bear H.R.H's face, so any sojourn to the greater UK will not result in my being arrested as some sort of Belfast-based ex-pat dissident trying to pay for my Twiglets with foreign-but-not-really currency.
After the ATM run we wandered back and noshed a bit of Chinese takeaway. We were tired and had a full day planned, so it was off to bed.

Saturday morning breakfast at the hostel. Cereal, croissant, yogurt, tea. No going off-menu if you were a guest in the hostel, it was totally socialist. If I wanted eggs, I was going to have to pay for them. The croissants were very good though, freshly baked. No complaints. 
At half nine we congregated outside for our black taxi tours of the city.

City hall.

Batman and friend.

Europa, the most bombed hotel in Europe. Called "Europe's most enduring hotel" in the guidebook.

Lebowski-themed art along Great Victoria street.

Some graffiti that reminded me of Banksy.

St. George's cross, right across from our hostel.

Union jacks all along Donegall Road.

Odd man-shaped thing hanging from a pole on our road.

Stevie McKeag mural.


Freedom 2000 mural.

Part of the peace wall.

The peace wall (Protestant side).

After the peace wall we passed through a gate and into the Catholic side of West Belfast. 

Memorial garden on Cupar Way (Catholic side).

Plaque in the Cupar Way memorial garden.

Murals along the Falls road.

That evening, four of us sought out a spot for dinner on Saturday night. We walked a couple blocks and found the place unappealing, so on we went. After nearly 30 minutes without success, we decided to return to the first place, called The Bridge House. Perfectly decent fish and chips plus literally any alcoholic drink on the menu for an extra £1.50. One thing we learned from our time in Ulster is the booze is cheap. After dinner we just headed back. Our second night on the hostel was spent bundled under two duvets in the frigid room. I made a bad joke about blanket protests and we watched The Little Mermaid.

We left early the next morning and headed up to Antrim. There were bits of snow here and there, and the landscape was overall different, somehow more English than Irish. We passed through Bushmills (according to Conor, the most in-bred town in Europe, as of the 1980s), glimpsed the distillery, trundled on to the northern coast. We got our tickets and headed off on the trails along the Giant's Causeway. The most difficult paths were cordoned off due to weather conditions (tear-inducing winds and bitter cold), but I took the hardest one available to get the blood pumping and warm myself up. I will let the photographs speak for themselves.


Volcanic formations.






The coastline of the Giant's Causeway.

We all grabbed lunch and souvenirs in the gift shop before boarding the bus once more and heading southwest to Derry/Londonderry. The name of the city varies depending on who you ask. We stopped for about 40 minutes just to catch our breath and grab a snack. It snowed for two minutes and then suddenly there was blazing sunlight. No surprises there.

Snow-capped mountains. In Ireland?

Courtesy of Jill.

Boosh graffiti in Derry.

The route took us through Donegal and Sligo, past snow-capped mountains and W.B. Yeats' grave in Drumcliff. 


The view of Benbulbin from Yeats' graveside.


And so, after the lion's share of Ulster culture and a chance to see the northwest with a glorious sunset backdrop, we dozed into the night as Brian drove us home to Ballyvaughan. 

Thursday, February 28, 2013

Painting progress...

My new painting is supposed to illustrate themes either of narrative or of the body. It kind of works for both, but honestly I was going to use this subject matter regardless of the assignment. To paraphrase my topic, I am exploring the female id. These are manifestations of the Freudian sex and death instincts in the female psyche when it is free of moral consequence. I am taking this opportunity to get (hopefully) more painterly, impasto, and visceral. Painting blood is very self-indulgent. My only worry is that in transforming bodies into headless objects this will be read as blatantly anti-feminist. Considering I am so disillusioned with the art world and sick of contextualizing my work to satisfy a room of intellectuals, I don't much care about that. It is experimental, I am embracing my studentship wholeheartedly while moving closer to themes and subjects that have, I think, long been sublimated or waiting to emerge.

Now that's out of the way we can see some pictures.

Small legs study.

Phase I.

Phase II.

Phase III.

Phase IV.

Hand and torso detail.

Feet detail.

Hand detail.

The walk home after a long studio session.

Friday's lunch. Yeah, I know.